Entertainment Analytics Conference
All past events

2026 UK edition

MediaCityUK, Salford · 10-11 September 2026

Twenty-two data and analytics leaders from British and European media organisations spent two days at MediaCityUK in Salford. Twelve talks ran to a strict format: fifteen minutes of presentation, then fifteen of discussion, under Chatham House Rules. Two speakers dropped out late and both Friday gaps were filled from the floor. Where the previous edition asked whether language models would change this work, this one took that as settled and argued instead about what comes after: who owns generated software, where corporate memory goes when everyone can produce analysis, and how anyone proves a probabilistic system still works.

Talks

What we learned

Corporate Memory Went Backwards: Once anyone could produce analysis, almost nobody filed it. At one publisher more than 90 per cent of the knowledge produced used to reach the central repository; within three months of production federating, that fell to about 3 per cent. Output exploded and institutional knowledge shrank. The experiment library was the clearest casualty: far more experiments were being run, and not one result had been added since April.

One Question, Five Answers: Cost per acquisition on search advertising came back as five credible figures roughly ten times apart, depending on which method produced it. The recommended fix, multiplying models, experiments and attribution into a single picture, fails on plumbing rather than theory: channels get lumped together, time periods do not line up, and the calibration ends up as one number hard-coded forever. Asked to describe how they recalibrate a model from an experiment, six practitioners, several of whom had presented on doing exactly that, gave no credible answer.

Only Thirty Per Cent Is Contestable: Five services take 75 per cent of all television time and 11 take more than 90. The same concentration repeats inside each person's own viewing: a preferred service holds about half of it, and the top three take nearly 70 per cent. If you are not already in someone's top three, the remaining 30 per cent is the entire market you are competing for, and scheduling will not get you in.

Models Agreed With Humans More Than Humans Did: Twelve annotators labelling political speech for stance agreed at an alpha of 0.56, which is what a genuinely subjective task looks like. Three foundation models from different providers, prompted to describe a reader's reaction before assigning a label, agreed with the humans at 0.63 and with each other at 0.69. That turned 1,330 human labels into 22,000 training examples. The team would not cut the human share any further, because doing the labelling is how you find out whether the task is feasible at all.

Everybody Wants It, Nobody Will Own It: A broadcaster's self-service build platform worked, and staff shipped tools the market does not sell, including one that replaced an external creative service costing a five-figure sum per programme. Maintenance is the unsolved half. Developers who reviewed the generated code said it was fine but that no human could work on it, and the team that built the newsroom video editor declined to look after it. Nobody could say how you stop a prompted tool becoming load-bearing after its builder leaves.

Twenty-Two Years to the Top: The median gap between an artist's first release and their first stadium headline is 22 years. Britain has the oldest headliners, at a median of 26 years, against about ten for South Korea, whose production system starts artists at 14 and has them headlining within a decade. Stadium rent for a single night has tripled in two years, which is why multi-night runs are now standard, and why the middle of the live market is disappearing.

The argument has moved on from whether these tools work to who is accountable for what they produce, and how anyone would notice when they quietly stop working.